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I also felt really connected to old French music too, which made me connect to that place and man, you should listen to the French pop playlist on Spotify, it's so cool, it's like all these amazing old French pop songs and it's so dope. and I'm like "Damn, I could definitely move here," and then I come back home and it's like I could never leave, 'cos there's just so many cool people there.

What's your relationship to Nashville like, what's your relationship with home? My favorite thing is to just hang with people, just be around people, just hanging around and having a laugh.

I wonder what other movie directors have inspired you?

It was more about the aesthetics that drew me to Wes Anderson and his humour. I just really like how he takes a part of time and expands it into an entire movie.

Since you've been touring and travelling since you were 13, have there been any other places on the road you connected to as strongly as you did with New Zealand? Los Angeles has become this really cool place for me.

I recorded Sudden Feeling there and this last trip to the UK, especially in Leeds it was like so cool.

Can you speak to your vision behind the sound of this EP? The song writing in the 60s seemed so direct and that really spoke to me. For me, it’s very similar to women - super hard to figure out but once you get the shot in focus there’s nothing better, haha. I still listen to a lot of 60s music - Beatles, Stones, Kinks.

I wanted the Velvet Face to feel like you’d already knew it and at the same time wanted it to feel current and new. But new bands I’m into are Mac Demarco, The Babe Rainbow, Francois Virot. Besides pals coming over and adding a few guitar lines or percussion bits here and there, the producer Daniel James and I performed everything.

One lucky winner will be randomly selected to win a signed Diana F camera as well as signed copy of The Velvet Face on vinyl. So Nashville will always be this home kind of place, but it definitely feels small at times, it definitely feels like it has its limits. It's kinda difficult, because not only do I now play in Paramore again and heave to get into full-time touring, but you know I thought about it cause it'd be cool.The only thing keeping me from doing that is that this way I get to keep the creative freedom and I think just need that with it, and I definitely have people who I play live with that I really want to keep playing with me, but I think I'll just keep it as my solo thing.What Portland, Oregon's Blitzen Trapper does is not particularly original, but they do it damn well.Their influences are seemingly all over the place – I hear traces of Bob Dylan, Bruce Springsteen, Wilco, the Band, Bob Seger and even some Mark Knopfler in their sound – but the result doesn't come off as derivative.

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